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OhJay


OJ typing things!

posted 2 months ago
Welcome to the new edition of 'News with OJ'!

Wait a second...I've just had word...we have a new title!

Welcome to 'OJ typing things!'

Really? That's what we're going with?

Those responsible for sacking those other people have just been sacked.

We will try again next week. Hard to find good help in the 'Creative Titles' department. No wonder they are down there in the basement.

Yes I know I know, I did promise a post a week but there has been some complications... I have just lost both my arms fighting tigers in Bengal and am now writing this from my hospital bed using my toes and a primitive version of Stephen Hawkings voice program. See the dedication I have for Urban Terror. Without a doubt definitely the hardest worker in FS...

Anyway, over the last few weeks lots of work has been done on UrT5 but today I'm going to talk about the design and then implementation process. Because after all that's why you are here, other than to read about my adventures in Bengal, right? RIGHT? Right.

So where was I...ah yes - the design and then the implementation process relating to animation. One of the things we have been talking about is the ledge grabbing and how we could make it better suited to us. Like, sure we know it's as easy as grabbing a ledge and lifting yourself up yeah. But what actually happens? Are we using both hands? Which leg goes up first? Do we have a gun in our hand still? If we put it away at what point do we bring it out again? Can we be firing from the ladder? They go into their technical garble talking about certain things triggering others whilst some sort of other checks are in play... that's when I start drifting off into my own world.

Lots of questions for such a small thing and to be honest I just don't get most of it and I'm not a stupid guy. So I won't go into much detail as I'll probably just make myself look silly.

I don't know if you know who HappyDay is but he is one of our coders and our lead developer. Used to be an artist and level designer but decided to go the coding route... you know, one of those guys that is pretty much great at everything he does. And Walker, well you know him - I've shown you some of his artwork before. An accomplished artist in his own right, go check him out on instagram - walkermasuda.art.

Anyway, I don't even know how it got started but all of a sudden I've seen Walker post this picture (below) of this girl ledge grabbing. And so it began...

Nek minnut...HappyDay writes up the first draft of what will be the code for the ledge grabbing. Like so:

1. Falling
2. Catching yourself with one arm
3. Start pulling yourself up; simultaneously bringing the other arm up
4. Getting one toe in the gap
- at this point we could do a check if there is a wall in front
- if there is, the knee rotates outwards
- if not, the knee can stay in a more natural, forward facing direction
5. Pushing yourself up with that leg
6. Standing position, right at the edge

This list is basically asking for 3 different animations. Falling, catching a ledge, and pulling yourself up. As I couldn't word it better I am going to directly quote one of our level designers and all round cool guy - Krasus.

"From this list, the animators then animate the animations for each specific pose. Usually you have a looping animation for situations where the player can stay in that state, like crouching, and then a transition animation for coming out of that state, like standing up. All the animations are done individually, so you have a falling, ledge hanging and pull up animation all by themselves.

Once they are animated, they are taken into the game engine where the individual animations can be blended together based on the coded conditions that trigger them.

To give you an example, when the player falls the falling animation will play, then when the player catches a ledge, the falling animation will blend into a ledge catching animation. If the player stays there, a ledge hanging animation would play. If they climb up, it would blend into a climbing animation, and if they fell down, it would blend into a falling animation."

Thanks K! He knows things that guy.

So this is going to be a two part uh...blog? Episode? Either way, when the animations are done and we have the final product or close to, I will do another post then going into the animation process a bit more and then comparing the design to the implementation in the final product.

If you guys want me to address a certain topic or have any other idea or feedback please email me (ohjay@urbanterror.info) or comment where comments can be found. While you're there join us on the official Discord to keep up on all the latest things.

Have I written enough to test your attention spans? I could continue but I will leave it here. If you keep your eyes peeled you might see some lovely pictures floating around of certain maps and their progress.

Until next time, I bid you adieu.

- OJ
comments: Feel free to discuss this on our forums

THE RETURN OF BAR-B-Q!

posted Wednesday, 14 August 2019
Hallo for another week!

As promised I am coming to you from the FrozenSand studios for another installment of 'News from Ohjay'!

Wait a second... did we really just call it that?

Apologies... the people responsible for coming up with that name have been sacked. We'll try for a new one next week. :S

Did everyone get the news this week? UrT5 private alpha will be out this year! HOLY MOLY. I was playing it the other day and it is coming along nicely. Real nicely.

I am also happy to announce the return of Bar-B-Q. He is back to reprise his role as the male voice of Urban Terror! He is the voice you hear when you call for a medic, flag exits, and lets you know "you're an idiot!".

When you see him let him know how happy you are that he's not as 'DEAD AS FRIED CHICKEN BABY'!

If you don't understand the reference get into the radio calls for a night and have a laugh. We used to have configs that would transform our keyboards into a bunch of shortcuts for radio call frenzies! Get amongst it!

As for game news - we have been fixing a lot of animations this past few weeks. Did you ever think about how the model moves when you input commands? Our Project Coordinator INVIS said it very well when talking about matching the movement of the character to how the animation works, "imagine the player is a capsule, we just move it around as we need to, and try to make the puppet in the capsule match the movement".

There really is so much that goes on behind the scenes that you would never even think about, so I'm going to highlight much of this stuff for no other reason than it's interesting as heck.

Anyway this is just about enough writing again. I am leaving you with an image from one of our resident artists - Walker. This is his impression of what Turnpike could look like. Obviously it's not a copy straight out of the map, but more what the scenery and background could look like. What do you think?

Drop me an email as always, or come have a chat with us on Discord!

Ciao!

ohjay@urbanterror.info

Greetings!

posted Saturday, 03 August 2019
Hi guys!

I am writing to you from the FrozenSand studios down under in Australia, as the newest member of the team. Thanks for having me guys!

So while we wait for the guys to finish up the game...wait, I wonder if I'm allowed to say that...

Let's start again...

The team is nearly finished the game so while they do that I will be....Ahem...(nervous cough)

Anyway look, let's not focus on who said what ok...

I'll make you a deal. If you don't tell the big bosses that I let slip they are NEARLY FINISHED the private alpha then I'll start writing regular updates on our website and give you all the goss and nitty-grittys on everything Urban Terror. Once a week to start I think. We'll focus on members of our team and what they are up to, address commonly asked questions from you guys, or maybe just a topic of my choosing - you never know what surprises are just around the corner!

Please don't hesitate to contact me with any comments, questions or...ahem..complaints. I really don't want to hear the complaints but ok sure...let's address them too. I will add my email down the bottom, or feel free to comment where comments can be found.

I could rant however I know these are the days of short lunch breaks and limited attention spans so I'll keep it quick. You'll be hearing from me more often as we progress into the latter part of the year and head towards some exciting things.

Check out the pic below. Can you guess the map? Guess correctly and I might show you the new version if you're lucky!

Watch this space!

- Ohjay

ohjay@urbanterror.info

Krasus


The Resurgence of Turnpike

posted Saturday, 06 July 2019
I joined Frozen Sand quite recently, and I have been dedicating a lot of time to level design. Working with the other team members has been great and making progress on our levels has been really rewarding. I have been involved in working on several maps so far, the most recent of which is Turnpike. The whole process of porting a map involves working from a base export of the original map, and then methodically taking that apart, and making each asset piece by piece until we have enough to move each model into UE4. The original process I worked on with JohnnyEnglish started with porting Tohunga, and since then we have iterated and improved on our process.

Turnpike is one of the most played maps in Urban Terror, and as such, recreating and revamping the map for Resurgence is an important task. The team has been hard at work with Turnpike as we don’t just want a straight port from 4.x. We want to improve upon the map and increase the level of detail to meet modern standards. With the increased capabilities at hand using UE4 over the idTech3 engine, we can really go all in and add as much detail as needed. While JohnnyEnglish has taken to work on the Red Spawn area, I have spent my time working on the Blue Spawn area of Turnpike.

This is quite a large task as it not only involves the playable area, but also the non-playable areas. Some of the assets I have been working on include inner city houses and various buildings, trains, billboards and other assets needed to bring Turnpike into the modern era.

In my view, part of improving each map is giving them a unique character and making them feel individual. By spending time modelling individual and unique buildings for use only in Turnpike, this gives the map a special feeling. This also ensures that maps don’t look like they have been using the same prefab buildings over and over. Being able to keep the original feeling of the map while improving upon already existing parts, and adding new parts, is something that I believe to be important. Giving maps unique characteristics and areas gives players landmarks and easily identifiable parts of the map to help them navigate and make the maps stand out.

My process of making these buildings has been improving, however the general core principles are rooted in referencing both the original map and referencing real life buildings with similar attributes and inspiration to the original. This may not mean remaking every single building exactly as they were in the original map. Some buildings may instead be improved and made with real life inspiration. The main idea is to keep the character of Turnpike, maintain its originality and improve upon the design where needed.

I plan to keep working on improvements for my work on Turnpike and getting it closer to completion. Everything so far is a work in progress, so some parts may change, but maintaining a high level of detail will always be a priority. The first pass on making Turnpike's Blue Spawn was to replace the original exported mesh with new models. Now that strong progress has been made, the next stage for these models is to unwrap, texture and make some materials to really bring them to life.
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Invis


Supporting the team where needed

posted Saturday, 04 May 2019
Since coming back onto the team in December of last year I have been doing my best to help the team and the project get to completion in any way I can. Along with project coordination, I have been creating content for team members. Mostly just random props here and there. This keeps me fairly busy, but if I do find spare time I work on rebuilding ut_crenshaw.

I hear a lot from community members idling in the official Discord that we don't post enough updates and content. This isn't because we are not doing much that can be shared, quite the opposite in fact. We have added a great deal of new team members as of late whom are working on things that we have not shared for a multitude of reasons. One is that code doesn't make for sexy screenshots, but rest assured that programmers are working hard getting core features working at a very fair clip. The private alpha we have eluded to is in sight, however we can't share details on that just yet. But, there is a great deal of content and information that we can, and should share. Things we know are core to the game and won't be letting the "cat out the bag" so to speak.

I can share that we have decided on converting some core maps from previous beta's, and that they will be available for alpha testing. We have shared shots of a few of them, most recently Algiers, Mykonos, and Tohunga. Currently we have just a handful of maps converted since we are basically building these maps from scratch, utilizing only the raw collision data from previous iterations so that the core "feel" of the level's gameplay won't change. For the level designers out there, what this means is that we are not recycling any assets from previous versions. Everything has to be rebuilt from scratch with greater detail. Let me share some examples with you.

Currently JohnnyEnglish, V3nd3tta, Krasus, and a few others are working on Turnpike. If you have played Turnpike enough, you recognize this van.

This van was originally modeled in 2002 by a 3D artist named beardmonkey, and I converted it for use in Turnpike for WU. This asset is 17 years old, and way overdue for an Unreal 4 facelift. Like all assets for the new Turnpike, it had to be remade from scratch with a greater level of detail.


Here is the current version of the van that I am modeling for the team of level designers reworking Turnpike.
I am close to 95% done with the exterior, and I am working on the interior, engine compartment, and undercarriage.

The old van had one 512x512 px texture, which was pretty standard for a model when this map was originally made. When Turnpike was released originally there were only a handful of level designers that knew how to work in a 3D editing package. Also, there were very few professional quality free 3D modeling tools out there to create and export these types of models. Things have changed a lot since then. Now we have free, professional quality 3D tools like Blender that give us the freedom to create professional looking content.

The new van will have a multitude of PBR materials made from a great many assets including standard diffuse, normal, spec, ambient occlusion and heightmaps. I think the Urban Terror level design community that has not yet made the switch to Unreal from Radiant will be a tad overwhelmed at first, but once comfortable, they will be impressed.

This asset for Turnpike isn't the only thing I would like to share. Yes, I will be remodeling Crenshaw for all you fans of the hood. I started out taking one random object from Crenshaw, and basically taking it all the way through the asset creation process for me to get back in the swing of creating 3D assets again since I have been working in 2D for the last year or so with both personal apps and professional ones.

The asset I chose was one I really wasn't happy with back in 2003 when I released the Crenshaw. In fact, it wasn't even a model, it was made from patches in the editor. And that asset was the Telephone poles.


As you can see, its pretty ugly. Not uncommon though back in those days as almost all mappers made everything they needed custom in the editor with brushes or makeshift patches. It wasn't pretty, even for back then.

I did a lot of research on telephone poles before i started, and I learned a lot. One is they prefer to call them utility poles, and the other is the amount of information online on how to make these poles and what goes on them is staggering. So I had a lot of reference images and blueprints on how to make one of these things correctly.

Here are a few wips (works in progress) from the process of creating this test asset.


As you can see I did a lot of detail work to make this asset as close to what a utility pole in Crenshaw would look like in the early to mid 1990s. And here is what I came up with.

Suffice to say, I have been a little busy. And this may seem like overkill for a utility pole, but this is the level of quality and detail I want to put into the entire level. When you step back in Crenshaw, I want you to feel like you're back in the hood.

Well that's pretty much all I have for now. Since we have yet to fill the Public Relations roll on our team, I have decided to start doing a monthly post here on the developers blog, and I will start encouraging other team members to do the same with relevant and interesting updates on their progress. This way you will get more of a steady stream of information and content. We will also be posting more content to our social media portals since we know a lot of you guys don't check the homepage, or idle in Discord.

HappyDay


I'm Looking at You - Crosshairs and Weapon Spread

posted Wednesday, 27 June 2018
There are plenty of features I'm working on for the new Urban Terror, but not many are that interesting or visual. That, combined with the fact that writing blog posts takes quite a bit of time, is the reason why you see me so rarely post updates of the progress I'm doing on the game. Recently, I've implemented the crosshairs for Resurgence and that is something worth writing about.

So, let's consider the situation in the game when shooting a bullet. The player has a marker in the middle of the screen - the crosshair, which he/she can point in any direction to help direct the bullets from the gun into the target (preferably the enemy's head). Since we want the game to require a bit more skill than to simply click when your crosshair is on a target, there is a feature called spread.

The faster you move and the more shots you fire in quick succession, the larger the spread value. Instead of drawing a line from the player to where the center of the screen is, we calculate a cone and pick a random line inside that cone as the bullet's trajectory. The spread value is used as the angle of the cone. This is what a cone with 20° angle looks like.

The idea is to control your movement and shooting patterns to control the randomness of your shots. Simply holding down your mouse button to fire as quickly as possible (called spray and praying) will increase the spread and the bullets will likely miss when the target is far away. Instead, you want to fire 2-3 bullets and wait a short time for the spread to decrease again before firing another couple of bullets. Crouching will decrease the spread making your shots more accurate, but at the same time making you a more or less stationary target.

Interestingly enough, a cone from the player's view will end up being a circle with constant radius on the screen, no matter how long the cone is. That is because the view of the player is a frustum (a chopped off pyramid), starting at the same point. The radius of the circle on the screen is determined by the angle of the cone, the screen resolution and the field of view. With a bit of trigonometry involved to calculate the size of the crosshair on the screen, it is possible to have the crosshair exactly match the circle described by the spread cone. That means the crosshair can accurately show the player exactly in which area the shots are going to hit. This also ensures you can reliably compare the spread of the weapons by observing the crosshair.

Many games use a single image file as crosshair, which gets scaled up or down. The problem with that approach is that the resolution of the texture determines how big you can scale it before it starts to look pixelated. Also, features like the width of a circle get wider with scale. More advanced crosshairs could use 5 images, one for the center and 4 for the sides, which get moved away from the center as the spread increases. That lessens the problems a bit, but you're limited in the shapes you can use. We chose a different approach. All our crosshairs are 100% procedurally generated, without any image files.

I'll explain a bit how that works in Unreal Engine 4. The basic idea is to do math on the UV coordinates of the material to create geometric shapes. The U coordinates are a simple linear gradient from 0 to 1 in horizontal direction. The same is true for the V coordinates in vertical direction.

Multiplying will scale the gradient, adding and subtracting will move the gradient. With other functions like clamping or taking the absolute, you can easily create a simple line.

With more advanced math like using polar coordinates, it's possible to create all kinds of circular shapes. Combining a bunch of shapes can result in really interesting crosshairs. I've made extensive use of a library of complex functions I created about a year ago, which I'm also selling on the UE4 marketplace (shameless self-promotion detected). Check it out if you're interested in this sort of thing. The most awesome thing about this math-based approach is that all the values for scale, width, radius, length, color, opacity, number of lines, etc. can be adjusted in real time.

Here's a preview of the 20 crosshairs I've created so far and how they scale with the spread value between 0 and 1.

And here's a quick preview in-game.

We haven't built a menu yet to select a crosshair or to adjust all the values. That's something I will do at some later point in time. Also note, there's a second feature called recoil, which moves your view a bit upwards when shooting, which I haven't mentioned here because it's unrelated to the crosshairs.

Each weapon has 4 values related to spread, which we can adjust. The formula used to calculate the spread is different from Urban Terror 4, so we can't (and don't really want to) copy the values from the old game. We are going to change these parameters a lot during development, especially once we enter more extensive private and public testing.

That's it. I hope you enjoyed reading this and maybe learned a thing or two in the process. I enjoyed working on this feature a lot and I'm really excited to have this in the game.

And as always,
Have a happy day! :)
comments: Feel free to discuss this on our forums

BladeKiller


Zbrush and Beyond!

posted Thursday, 19 April 2018

Starting Over

Anyone following FrankieV's videos will have noticed quite a change in the player model Sarah since my last blog. We had to start over with a new base rig so it has been quite a while since I blogged about my progress. I have eight player model outfits completed and am now working on the human morphs and their materials. I bought Zbrush in 2015 to create the meshes and materials for the clothing and gear. I also use Zbrush to do the morphs of the human model, which is a licensed Daz3d base model, and to paint their materials.

Zbrush is amazing and awesome, and I'm so glad I had an excuse to buy it to use for UrT Resurgence. I could rant for a while here but I'll get to a preview of the new player models instead.

The hair and human models are place holders in the following images unless otherwise stated. This is a reference scene that FrankieV and I use to visualize our work.

This is 3 of the 4 members of UTRT with my Anastazie head WIP on Amanda's clothing and gear on the left. Fred and Anastazie are in the center and right respectively. Anastazie's boots are by FrankieV.


Here is Tom showing off his sweater.


Here you can see from left to right Red Dragons' Pierre with and without his kevlar vest, Sarah and Charles.


This is Yasmine with my head WIP. I was testing her face material's roughness.


Zippers are fun to make in Zbrush.


Even the medkit has them.


A little of the back detail on the Kevlar vest for Red Dragon males.


This kind of detail is sculpted into the high resolution mesh in Zbrush which is then baked into the normal map. It's just the push of a button in Zbrush because the low res mesh is in the same tool as the high res mesh so no exporting high and low res meshes nor fiddling with a cage in another program.

I'm currently working on the materials in Zbrush for Yasmine. I've done her head morph and now I am adding skin details like pores and wrinkles that will be baked into her normal map. I will paint her diffuse texture when this detail is finished.

I've finished Anastazie but her finished head isn't in the scene. RabidCow is working on Tom and will be doing Sarah and Pierre. Then we just have Amanda, Charles and Fred's bodies to do before we can move onto the clothes and humans for Jade (from Beijing) , Takeshi (from Tokyo), Soo Min (from Seoul) and the, as of yet, unnamed skate boarder (from London).
comments: Feel free to discuss this on our forums
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Gost0r


Gear Loadout System

posted Monday, 09 October 2017
It has been almost a year since I posted an update on the progress of UrT. Well, that's not because we're not working on the game anymore, but rather a question of how to dedicate the time. Do I rather go down the road of recording and writing some blogpost or rather spend the time developing the game instead.

Well, once in a while when something isn't just half-finished, but moreover in a presentable state, it is nice to share it with you:

Old Loadout System:

Before implementing a proper loadout system, weapons were simply put into an array in the player pawn, then you start building a test build for the game and launch it. So if you wanted to test different weapons with other devs, you had to manually change the weapon loadout in the engine, build a new version and distributed to the others.

New Loadout System:

But lately we have put in some fair amount of work into getting a proper loadout system done. We named the result GearPresets.
Each GearPreset has several weapon slots as well as a list of items. Each weapon can have several attachments and potentially other customizations, so do the items.

The GearPresets have serveral other obvious and non-obvious requirements to fullfil:
Allow customizations (such as attachments, or potentially skins)
Network-ready
Shareable config
Menu-ready
Multiple GearPresets

Video:

I've recorded a video that is supposed to show how the current implementation of GearPresets turn out.

Keep in mind that the menu is just temporary as we have focused on functionality rather than visuals (at this stage).



What's not shown in the video is the 'Shareable config' requirement. But as of now, we're saving and loading the different GearPresets from a user-generated config file. So simply copy-pasting the required lines would do it.
comments: Feel free to discuss this on our forums

RaideR


Introducing Frozensand Games Limited

posted Wednesday, 21 September 2016
We don't tend to post information on the boring stuff that goes on in the background of our development team. However, in this case, after many years, the Urban Terror Universe is now incorporated in the United Kingdom.

Frozensand Games Limited ( 10343942 )

Taking over the mantel of Business Administrators, myself and Barbatos take on the responsibility of running the company. BladeKiller and RabidCow are not going anywhere, they will be using their new found time to concentrate on game development. Something we hope will see Urban Terror Resurgence available on Steam as a GreenLight Beta quicker. #confirmed.

0870760 B.C. Ltd our old company will close it's doors soon as it is acquired by Frozensand Games.

It's little over a week until we release 4.3 very much Still Dying and even with our team focus on Resurgence we will still be taking the time to look after and maintain that which is the 4.x series.

We have appointed Blapecool as a new Head Admin. He is now responsible for systems and services provided by Frozensand, so be sure to bug him when Auth goes down.

I will be using my blog going forward to report on the road to Greenlight which is one of my new main responsibilities

As ever, it's ready when its done, but maybe that time will be a little sooner and more like "it's ready when we play something ;)".

Good Luck Us!
comments: Feel free to discuss this on our forums

Gost0r


Evolving the HUD

posted Wednesday, 07 September 2016

CONCEPT

All good things start with a decent design phase. Our design thread contains dozens of posts which centralize around 4 design concepts. In the end we decided to stick with this basic concept done by Nounou:

attention: Keep in mind that this is just a concept and nothing is final.

CURRENT ITERATION



I will explain each element, how it functions and what the icons represent. But before I go ahead, please take note of the following:
Custom settings are not yet available, but we're looking forward to having different settings such as displaying weapon icons instead of the name. You won't find me going into a discussion of Minimap vs Radar, neither will I reflect that element as it's currently not worked on and therefore we might have a seperate blog on it. Please note as well that up to this point I haven't been able to implement the Bigtext feature yet, but it is planned to be part of the HUD. Furthermore, we’ve got plans to have a decent and easy accessable stats sheet, but we haven't worked on it yet, so I'll cover all the stats HUD once we've got a basic ingame version working.

Weaponinfo


EXPLANATION: The weapon info box contains the following information: how many grenades do I currently own, the different types are divided by colour. Additionally we got a bullet and clip counter as well as a weapon mode display (..... = automatic, . . . = semi, .. .. = burst). Then we have the weapon display which contains three weapons at a time. When you scroll down and you currently possess more than 3 weapons, then the pointer will move to the middle and stay there until you have reached the pre-last weapon. And if you scroll down once again - you guessed it - the pointer reaches the bottom end.

DISCUSSION: The weapon info box is in my opinion the most complete component. I'm really happy with the behaviour of the weapon box as you cycle through different weapons - it adds a nice feeling to it. There are slight changes to make on how weaponmode is displayed, but that's just minor stuff.

Health/Stamina bar


EXPLANATION: The health and stamina bar behaves exactly like it always has, so there is not much to explain.

DISCUSSION: There has been discussion of actually merging the speedometer into the bar as a white outline, combined with some optional speed info, but in the end we put the discussion on hold as we came to no final decision whether we should implement it or not. But as it's not a super important feature, we might be able to delay it.

Timer and Info




EXPLANATION: On the top side of the screen we've got the current FPS, ping as well as the remaining gametime displayed. while in the bottom left corner the Hotpotato and Waverespawn box is located. Not much left to explain either as it's just displaying information to the user.

DISCUSSION: As none of the elements is final yet, I'm still trying to find ways on how to improve the information. Right now i find it very distracting to have the Wave- and the Hotpotato timer on the opposite corner of the screen than the other timer. Another aspect is the possible lack of a netgraph. The question is if the display of the ping and FPS is enough to notice if you're having problems with the connection. Of course a netgraph like nounou has illustrated in the concept is beautiful, but the netgraph is supposed to give you information on when you're having problems, so maybe just a text with your in/out packetloss would seal it, but then again it comes down to visual aspiration... duh, let's see what will be the best later on when we come to its implementation.

Scoreboard




EXPLANATION: The scoreboard is very much connected to the team overlay. The teamoverlay contains in its default view the playername, the team score, the armband color as well as the players health. You're able to see the players health of your own teammates as 25% steps (for example if i have 46 health left, i have 2 bars on the scoreboard).
Now, once you pressed the scoreboard button (default: TAB), the teamoverlay lerps out to the middle and becomes the scoreboard. Here we've got the score, the Kills/Deaths/Assists ratio as well as the ping. The other players won't be able to see your real ping, but the indication of your ping range, symbolized with different colours (for example if your have a ping below 50: green). The rest is rather obvious: the list fills in the player names and sorts them by Score>Kills>Deaths>Assists, the spectator bar lists the current spectators.

DISCUSSION: The scoreboard is the most interesting part of the whole HUD in my opinion. And yet it contains some major conflicts in it. The general visual perception of it is horrible, it looks like a random terrible MSpaint made scoreboard. It simply doesn't fit into the Urban Terror theme and neither to my ambitions.
On the other hand I really love the unfolding mechanic that currently exists. It gives it a nice flow and a sort of unique behaviour.
Considering the items of the scoreboard, we're lacking some vital information. We need an indication of what half we are in as well as the score of the previous half. Status icons are planned to be placed behind the armband info (Subsitution, Flag/Bomb carrier), but yet to be implemented.

Feed & Chat




EXPLANATION: The feed contains all sorts of messages, may it be the hits, actual kills, killer's health as well as connection information. The chat is now on the bottom left and currently works very simple: type /all TEXT to send TEXT to everybody, /team to teammates or no command and it will automatically use the team chat. Both commands are being pre-entered with the corresponding key (t: allchat, y: teamchat).

DISCUSSION: Unreal Engine 4 makes it rather hard to implement the right flow for delivering messages from the game core to the UI surface. It doesn't contain features such as the CVAR-system which idtech based engines are famous for, as well as a decent console which can easily used by the public. Of course it comes with a developer console, but that one is not very handy if you want to weave it together with the game UI. We can later explore these aspects even deeper with either making the chat console more powerful (more commands to recognize than only two), or we have to use what's available and work our way around the developer console.
comments: Feel free to discuss this on our forums
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